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Lear, Edward
Fan Palms at Arrah,Shahabad District,Bihar
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ID: 39861
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Lear, Edward
English Painter and Illustrator, 1818-1888
English painter, draughtsman, illustrator and writer. In the 1860s Lear described himself as 'Greek Topographical Painter par excellence', aspiring to the title of 'Painter-Laureate and Boshproducing-Luminary forthwith' (quoted in 1983 exh. cat., p. 14). This whimsical summary of his versatile activities as topographical draughtsman, oil painter, traveller, writer and illustrator of nonsense rhymes and stories is typical of Lear's idiosyncratic literary style. It reflected his eccentric personality. He was epileptic and prone to fits of deep depression. In addition, owing to family misfortunes, Related Paintings of Lear, Edward :. | Civita Castellana | The Rocks of the Narbada River at Bheraghat Jubbulpore | Fan Palms at Arrah,Shahabad District,Bihar | Civita Castellana | The Temple of Bassae or Phigaleia,in Arcadia from the Oakwoods of Mount Cotylium.The Hills of Sparta,Ithome and Navarino in the Distance | Related Artists: Anna Bacherini Piattoli1720-80
beaudinGerard Seghers (Antwerp, 1591-18 March 1651), also Zegers, was a Flemish Baroque painter and one of the leading Caravaggisti in the Southern Netherlands.
He was the son of an innkeeper but not related to the jesuit and painter Daniel Seghers. He was possibly a student of either Abraham Janssens or Hendrick van Balen, and he showed great talent, because in 1608 aged only 17 he is listed as a master in the Guild of St. Luke. It was during his trip to Italy around 1613 that he came under the influence of Caravaggio's followers. Bartolomeo Manfredi, in particular, was influential. Many other Dutch and Flemish painters were working in the style there, such as Gerard Honthorst, which is strongly characterized half-length figures illuminated by strong lighting and dramatic chiaroscuro. One work from this period is his Judith with the Head of Holofernes in the Galleria Nazionale d'Arte Antica, Rome. Caravaggism, both in history and monumental genre paintings, continued to mark Seghers's works when he returned to Antwerp around 1620.
The Patient Job, National Gallery, Prague.He married on his return to Antwerp (ca.1621) with Catharina Wouters (d.1656), with whom he had eleven children. His son Jan-Baptist Seghers (1624-1670) also became a painter. After 1630, his palette lightens up considerably and the influence of Peter Paul Rubens is noticeable in paintings like the Adoration of the Magi (1630) in the Church of Our Lady, Bruges.
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